A POST-internetic landscape, a POST-feminist scene in a POST-Ironic meme, where the stereotype of the trainwreck girl is supposedly empowered and free to do whatever she wants with her life … or not? The media ploarization, the panopticon of social networks tells us another story, one of shade, hate and guilt, with exclusive ideas about
“Sometimes I go out of the world to see if someone comes to look for me” Conversational piece. Installation of a selfie melodrama from images found in other Lucianas Pontes’s social media. “Bipolar Blues” Díptic. “The precise moment” Photography “Ambient Awareness” Photography. “Close encounter
Pop up show, blanket and sidewalk for one day.Promo display.Selfies of other Lucianas Pontes. UV Estudios GalleryDecember 2017 Buenos Aires.
Marginal stardom Parallel to the festive spirit of contemporary art cosplay displayed in a series of poster-like pictures, a discomfort appears that takes the form of shame, joke or hysterical giggle. Thinking these images only as celebratory denies the power of the discomfort derived from the peripheral reappropriation of the artist / star that fluidly