A POST-internetic landscape, a POST-feminist scene in a POST-Ironic meme, where the stereotype of the trainwreck girl is supposedly empowered and free to do whatever she wants with her life … or not? The media ploarization, the panopticon of social networks tells us another story, one of shade, hate and guilt, with exclusive ideas about
Luciana Ponte for Casa entera, a project by Gris García “John Doe is here, can he come in?” The question sounds in the megaphone of the apartment that we rented by airbnb in the San Rafael neighborhood, a neutral and depersonalized space, assembled as if it were a hotel, at the entrance guards surrounded a
Challanges for the Survival of the Cutest Elvira is an ephemeral collective, which meets to propose a specific project to Flora‘s cabinet, formed by two artists (Luciana Ponte and Juan Guillermo Tamayo) and a curator (Marilia Loureiro) Historically the cabinet of curiosities is the space that stores the treasures and collections of extraordinary things found
A digital exaltation that preaches the critical eye,the didactic trolling,the kawaii errorismand the combative ridiculesuitable for all audiences.An ode to Marta Traba, our sacred lady of the media,who this time decides to explore vapowave landscapesmade from clichés of post-internet art.Martha Gangsta #glitchbitch >>> click here * Marta Traba was an Argentine-Colombian art critic and writer,
This video was shown in:• BYOB (Bring.your.own.beamer) Bogotá, 2015.• “Maldita primavera”, Galería Abrir, Perú, Lima. 2020.
Fiction made from videos found on YouTube and invented text. 2013 This video was shown in:• Universidad Torcuato Di Tella (2013)